Andrew Sullivan’s I Don’t Want to Drink Your Blood Anymore Celebrates World Premiere at Philadelphia Film Festival

Andrew Sullivan’s I Don’t Want to Drink Your Blood Anymore Celebrates World Premiere at Philadelphia Film Festival

The cast and filmmakers celebrate the unconventional vampire drama’s debut and join acclaimed film critic Elvis Mitchell for a special conversation during the festival.

Filmmaker Andrew Sullivan’s latest independent feature, I Don’t Want to Drink Your Blood Anymore, celebrated its world premiere on October 20 at the 35th Philadelphia Film Festival, introducing audiences to an unconventional vampire story exploring isolation, immortality, and the longing for human connection. Sponsored by Alkemy X, a global creative partner for studios, networks, agencies, brands, production companies, and filmmakers, the premiere brought together the film’s cast and creative team for an evening celebrating independent filmmaking.

Written and directed by Andrew Sullivan,the film offers a fresh perspective on the traditional vampire narrative, exploring the complexities of isolation, uncertainty, and the desire for human connection. The idea for this film emerged during the COVID-19 pandemic when Sullivan was jogging through a park and noticed the tension surrounding him. 

Reflecting on the film’s approach to the vampire genre, Sullivan explained:

There are so many films about vampires and many films about reluctant vampires. We are neither the first nor the last. What we tried to do differently was focus on the emotional, stunted state of Eiko over the decades and the consequences of removing herself from the world. Eiko’s internal struggle was more interesting to us than the eternal gift that was put upon her. Vampires have it all and Eiko wants none of it and yet even if she wanted it, she probably wouldn’t be good at it. 

Chelsea Smith Hall, Geoffrey Orthwein, Nick Sagar, Sierra McCormick, Andrew Sullivan and Miki Ishikawa

I Don’t Want to Drink Your Blood Anymore follows Eiko, a young woman who becomes a vampire but finds herself unable to leave her home due to agoraphobia.Spanning 50 years of Eiko’s life, the film explores the passage of time through the perspective of someone who remains unchanged while the world around her continues to evolve. As each day begins to resemble the last, Eiko’s isolated existence takes an unexpected turn when she meets Jessica, introducing change to Eiko’s life.

The world premiere took place at the Film Society Center in Philadelphia, where Sullivan was joined by producer Geoffrey Orthwein, cinematographer Eunah Lee, and cast members Miki Ishikawa, Sierra McCormick, and Nick Sagar. Following the screening, members of the cast and creative team participated in a live Q&A, offering audiences insight into the film’s development, production, and the challenges of bringing its distinctive story to the screen

Adding to the excitement surrounding the film’s world premiere, writer and director Andrew Sullivan was joined by cast members for a special conversation with acclaimed film critic and cultural commentator Elvis Mitchell, host of KCRW’s The Treatment. The discussion provided an opportunity for the filmmakers and cast to explore the creative vision behind I Don’t Want to Drink Your Blood Anymore, its unconventional approach to vampire mythology, and the emotional complexities of bringing its characters to life. The conversation marked another highlight of the film’s Philadelphia Film Festival debut, bringing additional attention to the independent production and the creative team behind it.

Miki Ishikawa

The film made its festival debut as part of the Philadelphia Film Festival’s Filmadelphia section, which highlights films connections to Philadelphia’s creative community. Its selection marked a significant milestone for Sullivan and the filmmaking team, bringing their distinctive interpretation of the vampire genre to festival audiences.Through an unconventional take on vampire mythology, Sullivan explores themes of isolation, identity and the struggle of accepting what one has become.